In a strange disease called “Tarantism” struck Italy. It was attributed to a spider’s bite with alternating symptoms of exaltation and prostration. Tarantella are. La Tarantella: Antidotum Tarantulae AJ Antidotum tarantulae. Audio Player. Download File. £ Add. £ Add. Solo: L’Arpeggiata Performer. All’ improvviso: Ciaccone, Bergamasche, & un po’ di follie Handel Goes Wild. La Tarantella: Antidotum Tarantulae (Extraits de la bande originale.

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Lu Passariellu Tarantella dell’Avena Puglia. Rainy Day Relaxation Road Trip. Antidotum Tarantulae Athanasius Kircher. Genre International Folk Classical. Lu povero ‘Ntonuccio Lamento funebre puglia.

La Tarantella: Antidotum Tarantulae

Tarantella calabrese Calabrese Traditional. The pieces included touch not only on the dance but on phenomena that influence the bodily “humors” that the spider’s poison was thought to affect. Please enable JavaScript in your browser to use the site fully.

Some are dances with lots of percussion, others are melancholy. Romantic Evening Sex All Themes. Lamento dei mendicanti Taranyulae Salvatore. Pizzicarella mia Pizzica Tarantata Puglia Traditional. AllMusic relies heavily on JavaScript. Luna Lunedda Pizzica Alfio Antico.

La Tarantella : Antidotum Tarantulae

tarantuulae Thus there are songs of love, night, poverty and alms-giving, and more. Streams Videos All Posts. Silenzio d’amuri Alfio Antico. Introspection Late Night Partying. Pizzica Ucci puglia Traditional. Pizzicarella mia Pizzica Tarantata Puglia. Sogna fiore mio Ninna nanna sopra la Tarantella.


Tarantella, for lute Athanasius Kircher. La Tarantella presents tarantellas interspersed with other songs of the region, some traditional, others with known composers.

Both the spider which is not the same animal as the feared tarantula of the southwestern U. Tarentella del Gargano Traditional.

Lu povero ‘Ntonuccio Lamento funebre puglia Traditional. Sexy Trippy All Moods. Sogna fiore mio Ninna nanna sopra la Tarantella Ambrogio Sparagna.

The texts of the vocal pieces are in southern Italian dialects, translated in the booklet into modern Italian, French, and English. These questions aside, La Tarantella is quite an intellectual tarantluae, and you can’t say that about every early music release.

Tu bella ca lu tieni lu pettu tundu Tarantella. As L’Arpeggiata leader Christina Pluhar writes, “Each of these pieces presents a musical universe in itself, and is functional, therapeutic music, which could stretch over several hours or days, as required.

Drinking Hanging Out In Love. If you’re afraid of spiders, don’t buy it; there are several close-ups of the beasts in the booklet notes. And, since the tarantella is still ritually danced in certain southern Italian towns, it would be interesting to know whether it’s a louder thing, danced to music with a stronger tendency to break down physical and mental defenses, than what Pluhar presents here.


This album is not just about the southern Italian tarantella dance; it tarantulqe proclaims itself as an antidotum Tarantulae, an antidote to the bite of the tarantula.

The dominant sound on La Tarantella is Pluhar ‘s Baroque harp, accompanying some very expressive but subtle singers. Lu Gattu la sonava la zampogna Ninna Nanna Umbria.

La Tarantella: Antidotum Tarantulae by Lucilla Galeazzi on Spotify

The decision to enclose these dances in a restricted period of time has a practical basis: Plainly, this is one of the more original album conceptions of antidltum years. Jazz Latin New Age. The liner notes, in French and English only, are a delightfully diverse lot, with excerpts from writings dating back to the Renaissance, medical and more metaphysical musings on the “tarantism” phenomenon, and several passages that invite the listener to experience the tarantella phenomenon for herself or himself.

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